Off With Your Head!

Stay Tuned...



....for awesomeness!

Oh Hello, I Didn't See You Come In

Welp, I guess its time to start this thing back up again! In the month-long hiatus a lot of stuff has happened in the music (that I like) world. I don't want to take up too much space, I'll be brief.


1) Ron Asheton of the Stooges died January 6th (lame)

Fun House and Raw Power are fucking amazing albums, and Asheton's guitar furious guitar playing, I'd argue, is the primary reason for that. yeah yeah Iggy is cool and all, but seriously, Ron can shred. He gave punk the hair on its balls, and that's that. shut it. RIP Ron, the first three albums combined are enough to forgive you guys for The Weirdness (shudder).

2) Lux Interior of the Cramps died almost exactly a month later (Feb. 4th, equally lame)
I honestly thought he died years ago, considering his persona and antics. Nevertheless, it is a bummer that he died. He was one of the greatest frontmen in punk for one of the greatest bands in punk. All the pseudo-psychobilly bands on Hellcat Records are in incredible debt to bands The Cramps. Hopefully he's entertaining mental patients in hell now.

Dear god, next thing you know, Mick Jones or Wayne Kramer might die (please don't)

3) Propagandhi's new album leaked yesterday(ohh fuck yeah)
this is the most recent news, and the most fucking exciting for me. I really liked Potemkin City Limits, don't get me wrong, but it seemed a little forced, and at times not them memorable...(but the good songs on it are some of the best they've ever written). Upon first listen, its definitely better than its predecessor. The opening track rips your fucking face off immediately, and they just keep fucking going. The addition of their second guitarist into the band has allowed them to develop their newer sound into regions beyond. This shit is on par with Today's Empires, Tomorrow's Ashes. Once the record is sitting in my hands, I'll be able to judge it more thoroughly.

4) 10-4 Eleanor played at my house (almost bad, but turned out great!)
This show almost turned out to be disaster. Another band was supposed to play, but they dropped out without telling me, leaving us without a PA or a sizeable audience. After some scrambling and lots of apologizing, we managed to wrangle a PA from a friend up the street and the show, despite the tiny audience, went great. The boys play some top notch "orgcore" and its always a pleasure to see them. They also get kudo's points for their new EP, Words Cannot Express How Much Fuck This Band, which was packed in a giant 5 1/2" floppy disk casing.

5) Renegades played their last show at the house with The Masters of Suspicion and Goochie Boys (fucking insanity!)

All three of these bands brought a large crowd to my house. The last time I saw it that crowded for a show was for O Pioneers!!! in September. I opened up with a few new songs to my 5-6 fans in the room, and then let tMoS take the floor. My good friends played the best I've ever seen them. They've dramatically cut down the set to about 10 songs, dropping the covers (although we did coax them into playing "1000 More Fools" and "No Scrubs") and a few of the weaker songs. The crowd that didn't come from them even got into it! The Goochie Boys/Goochie Punx (whatever their actual name is) were a last minute addition and I had no idea what to expect. Turns out they fucking rule! They played very much 60's inspired garage rock/surf/trash and it was incredibly fun. RNGDS packed the house and turned my basement into the sweatiest dance floor ever. Fantastic last show, fantastic night in general.


-TSOL came out with a new album (hmmm...)

I haven't listened to this yet, but I can't imagine its anything groundbreaking or exciting. I'll just listen to Dance With Me and Beneath the Shadows instead.

-The Marked Men came out with a new album (sweet)
Great stuff really, but upon my first couple listens, it doesn't really sound much different then everything else they've put out. Still fun to listen to, and I bet they're killer live.

-I discovered how awesome Leonard Cohen is (awesome)
I think that really sums it up. Songs of Leonard Cohen is a tremendous album, and I need more!

-and of course my computer decided to stop recognizing my external hard drive, and I fear I've lost everything on it (super fucking lame)
I really don't know why it decided to stroke out on me, but it didn't and I can't fucking figure it out. Most of my music is backed up on cd, or I actually own it, but alot of my bootlegs I hadn't gotten around to burning yet. Same goes for my TV shows (all of South Park, Futurama, It's Always Sunny, and Spaced) and a few episodes of Mystery Science Theater. Hopefully everything works out, or I'm gonna be pissed.

that's all I can remember at this point...so till next time

The Year in Review -or- Fuck 2008, Here's to '09

Man, what a fucking year. I couldn't be more happy that it's over. Well here's hopin' that 2009 will be my bounce back year. Ok personal bullshit aside, time for the music! It was a pretty solid year for music, not great, never the less, I assembled a lengthy 40 full length album "best of" on Rate Your Music, as well as lists for EPs/7"s and Comps/Collections. I'm only going to go in to detail for the Top Ten of the year, mention briefly the 11 honorable mentions, and if you want to see the full list, you'll have to go to my RYM page. In addition to their numerical ranking, which is less concrete than it seems, each album will get its own best of. So here we go!


#1. Album of the Year/Best Lyrical Album/Best "Fuck the Sophomore Slump" Album
The Gaslight Anthem-The '59 Sound: This was indeed one of the most anticipated releases of the year, by all of those who heard Sink or Swim, the band's stellar "come out of fucking nowhere" debut ('07 Album of the Year). I didn't think it was possible to follow up with an album that would be as good, let alone greater in many aspects as that. The second I found out it leaked I downloaded it, locked my bedroom door and listened intently. I was torn. "What the hell is with the reverb on his voice? What is this lame song singing about Tom Petty? I fucking hate Tom Petty!" etc. etc. Despite this, there were a few stand out tracks that kept me coming back. After all, I didn't like Sink or Swim at first, and then I saw them live and was hooked. The more I kept coming back to listen to songs like the title track, "Great Expectations," and "The Patient Ferris Wheel," the more it grew on me. I began to love every single track (except for "Even Cowgirls Get the Blues,"I actually like the track, but fuck Tom Petty...) I got over the production and listened to what it was really about: the music. The lyrics hit me like a semi-truck, and I welcomed the collision. I only wish this record came earlier in the year, but along with #2, it helped me get through the tough times. Musically, its as if soul, punk, folk, and americana had a wonderful bastard child. The punk is less pronounced than its predecessor, but the urgency is still there on many of the songs, and as a result, they sound mature, but not boring. There was a point in August where I listened to this almost daily because I couldn't get enough of it, and I still barely can't. This band is gonna be huge, and they deserve it. I'll be just glad to say I got to see them play in a bowling alley in Asbury Park before they started playing stadiums. (sound familiar? cough cough) Rating: 9.6/10

#2. Best Album to Kill Yourself To/Best Pop-Punk Album/Best Debut Full-Length
Off With Their Heads-From the Bottom: I had high hopes for this album, and it totally delivered. Though I was hoping for more "new" songs that I hadn't heard from myspace prior to its release or previous 7"s, it is none the less a fantastic fucking album. Its dark, morbid pop-punk that has renewed my faith in the genre. Its catchy as fuck, makes you want to pogo around your room, and tie that noose at the same time. My roommate came upstairs once and said to me "Dude, I think I've been listening to too much Off With Their Dudes..." "Why? You feel like shit?" "Yeah..." It's an album that makes you feel like shit and great at the same fucking time. As long as Ryan keeps singing about life sucking ass, and not actually offing his head, we should be fine. Rating: 9.4/10

#3. Best "Album that was supposed to come out this year, but officially might not til 2009, but was way too good to wait"/Best Sound Progression
O Pioneers!!!-Neon Creeps: O Pioneers!!! new album was also highly anticipated for me. I had only recently gotten into them at the end of last year, and I loved their brand of Hot Water Music-influenced folk-punk. On Neon Creeps, Eric and the boys step away from the sound and go for something entirely of their own. Featuring shorter, more concise lyrics, late 80's Dischord musical vibes, a voice thats less screaming but still beautifully rough, and a bass guitar (!!!), it's the direction I wish Against Me! took, instead of the poppiness (or should I say poopiness, har har har) of New Wave. These guys played in my basement in September, and mostly showcased the new stuff, and I was blown away even then. I'm surprised more people don't know this band than do, but I guess I spend too much time on punknews.org and Vinyl Collective. I've been spreading the love for this band to my friends for a while, and this album finally got their attention. Rating: 9.4/10

#4 Best Come From Behind, Damn This Is Awesome! Album/Best Electric Folk-Punk Album
The Riot Before-Fists Buried In Pockets: Richmond, VA's The Riot Before were a band that took me forever to get into. They were getting frequently repped around the internet, and needless to say I wasn't too impressed by Horseshoes and Handgrenades, and So Long, the Lighthouse was ok, but not great. I eventually changed my views on the latter, and the former still has some faults in my eyes. Two things brought this about. Seeing these guys open for The Gaslight Anthem, and this album. The flow and "theme" of this album works wonderfully, with tales of losing faith in your beliefs at the same time as touring the country, sleeping on floors and playing in basements. They take the major Against Me! influence, and take it in their own directions. The lyrics to "I Have My Books" gets me everytime, very simplistic and powerful. This band is full of heart and passion, and I can't wait to see where they go musically. Like O Pioneers!!!, I've been spreading this band's awesomeness all around. Hopefully one day they can cross the Mississippi on tour and play my basement. Rating: 9.2/10

#5 Best Album to Play Outside a Church/Best Hardcore Album
Paint It Black-New Lexicon: Like Off With Their Heads renewed my faith in pop-punk, Paint It Black were one of the bands (like Modern Life is War, Fucked Up, and Verse) that renewed my faith in hardcore. The 80's are over, and most people's conception of hardcore is the metal-influenced screaming crap that plagues the airwaves, or the way too bro-ed out guys on steroids stuff (granted the latter was always prevalent, but at least it still sounded punk). Paint It Black keeps the punk in hardcore, but still brings it in new directions, but doesn't over do it like Fucked Up did on their new album. Dr. Dan just spits venom at every injustice in society, and religion is the prime target. His intelligent lyrics are what puts this album above and beyond their contemporaries, sort of like what Greg Graffin did for Bad Religion. This album made me want to chuck shit around in my room and punch a hole in the wall first time I heard it. I listened to it while mowing the lawn once and I wished there was a priest in front of me. Its hard to say whether or not this album is the best yet, because I love all three of their full lengths. I guess its almost on par with Paradise, and slightly better than CVA. I seriously need to see this band live, like what the fuck, come to Colorado. Rating: 9/10

#6. Best Comeback Album/Runner Up Best Pop-punk Album/Runner-Up Best Album to Play Outside a Church
Dillinger Four-C I V I L W A R: Holy shit, has it really been 6 years? 2002 was the first time I heard this band ("Noble Stabbings!!!" on the Atticus: Dragging the Lake comp) and I immediately like them. They were one of the first real punk bands I listened to in my post-blink 182 hangover stage freshman year of high school. They have always stood out to me as the best pop-punk band ever. The kept the hooks and the catchiness, but still had the aggression of hardcore, and no frills whatsoever. The fans have waited forever for this to come out. When I finally had it on my hard drive (yes I downloaded the leak, you serious? I bought the vinyl of course!), I almost couldn't believe it. I was almost worried when I first listened to it, but those fears were squashed. Its not quite up there with Midwestern Songs for the Americas or Versus God, but I like it more than Situationist Comedy. The Paddy songs are few, and sound slightly forced, but are still great. The real gems are the ones created by Erik Funk. Goddamn can that dude write a catchy motherfucking tune. "The Classical Arrangement" is a lyrically fantastic, scathing attack on religion. "Gainesville," the poppiest track on the album stands out for its sunny outlook, but honestly, how could you not feel that way at The Fest? However, the greatest song is "Ode to the Great American Snake Oil Distributor," and the chorus of "smash your fucking halo" is glorious and I was singing it all day long for weeks after I heard it (still am). The album's closer, "clown cars on cinderblocks" has a special place in my heart. This was totally worth the wait. Rating: 8.8/10

#7 Best Cowpunk/Alt-country Album/Runner-up Best Lyrical Album
Two Cow Garage-Speaking in Cursive: This album was a real grower on me. I picked it up after listening to some songs on their myspace page, and thinking their whole alt-country Lawrence Arms style sound was pretty fucking cool. It wasn't until I started listening to the lyrics that the album really clicked with me, and jumped up several spots on this list. "Humble Narrator" is one of the best openers I've heard in a while and highlights the dynamics this band has. A few songs really strike me personally, like "Folksinger's Heart" ("older brother, oldest son, I was never really good at either one..." "it was arrogant to think from the start that you were the only backyard Dylan with a folksinger's heart") The "Swingset Assassin" song is also a pretty cool story of the writer's music tastes. There are a couple weaker tracks, those song by the other vocalist, but overall this is a fantastic album.
Rating: 8.6/10

#8 Best Album From A Genre I Didn't Know I Liked Until This Year/Best Album to Shake Your Ass to.
Eli "Paperboy" Reed & The True Loves-Roll With You: Well goddamn! This album is awesome! I didn't know a white dude could sing soul so well! So well that I decided maybe I should check out this whole crazy genre. Now I can't get enough of Otis Redding, Sam Cooke, Marvin Gaye, James Brown, etc. You can tell Eli has a deep appreciation for his forebearers, and Roll With You covers a wide range of style, from the slow, deep ballads to the pseudo-funky dance numbers. A few of the songs on this sound pretty musically similar, but whatever, the sound is great. Everytime there is a party at my house, you can be sure this album will be in the rotation at least twice.
Rating: 8.5/10

#9 Best Album by a New Favorite Artist/Best Folk Rock Album
Frank Turner-Love Ire & Song: As I stated in my previous post, I just discovered this man, and all I can say is holy shit, why haven't I listened to him earlier? Turner echoes fellow Brit Billy Bragg in his sound and is not afraid to add some new elements to his acoustic guitar songs. He carries elements of his 2007 album Sleep is for the Week, with songs about becoming disenchanted with the protest scene ("Love Ire & Song), being heartbroken ("Substitute"), songs about his friends("I Knew Prufrock Before He Was Famous"), and songs about being a 20-something in London and not having a direction (all over). Despite the bitterness, there is still rays of hope shining through in some of his songs, like the title track and his touching ballad about a deceased friend. Basically a great album for this point of my life. Bravo.
Rating: 8.5/10

#10 Runner-Up Best Hardcore Album
Verse-Aggression: Although it may seem a bit silly to name a hardcore album Aggression, but it does put the focus of the album to the forefront. They are incredibly pissed off at the state of the country and they are going to let the listener know all about it. The highlight of the album is the three part "Story of a Free Man." This was a pleasant year end surprise that pits Verse up with the cream of the hardcore crop.
Rating: 8.4/5

Rest of the Best
#11: Chuck Ragan & Austin Lucas-Bristle Ridge, Rating: 8.4/10 (Best Folk Album)
#12: Jon Crocker- The Dust Will Settle, Rating: 8.3/10 (Runner-Up Best Folk)
#13: The Slackers-Self Medication, Rating: 8.2/10 (Best Ska Album)
#14: Street Dogs-State of Grace, Rating: 8.2/10 (Best Album to go "hey! hey! hey!" to)
#15: Lagrecia-On Parallels, Rating: 8.1/10 (Best First & Only Album)
#16: The Cute Lepers-Can't Stand Modern Music, Rating: 8.1/10 (Best Powerpop Album/Runner-Up Best Album to Shake Your Ass To)
#17: Drag the River-You Can't Live This Way, Rating: 8/10 (Runner-Up Best Cowpunk/Alt-country/Best Album That Plays Itself Twice)
#18. Tim Barry-Manchester, Rating: 8/10 (Runner-Up Best "Fuck the Sophomore Slump Album")
#19. TV Smith-In the Arms of My Enemy, Rating: 8/10 (Best Acoustic Folk-Punk Album)
#20. Heathers-Here, Not There, Rating: 7.9/10 (Cutest Band of 2008)

Honorable Mentions:
Billy Bragg-Mr. Love and Justice.
Nick Cave & The Bad Seeds-Dig!!! Lazarus Dig!!!
The Tossers-On A Fine Spring Evening.
Monikers-Wake Up.
Shorebirds-It's Gonna Get Ugly.

Best EPs/7"s
#1. The Gaslight Anthem-Senor and the Queen
#2. Gatorface-Sick and Stupid
#3. O Pioneers!!!-s/t 7"
#4. Jello Biafra with Brown Town West-Jezebel
#5. Tim Barry-Live at Munford Elementary
#6. Statues-Same Bodies, Same Faces
#7. The Gaslight Anthem-Sink or Swim Demos
#8. The Cute Lepers-Terminal Boredom b/w Prove It
#9. Cobra Skulls-Never Be A Machine
#10. Andrew Jackson Jihad-Only God Can Judge Me
#11. Mischief Brew-Jobs In Steeltown
#12. Bomb the Music Industry/Mustard Plug-Under the Influence, Vol. 3
#13. Career Suicide-Cherry Beach EP
#14. The Measure [SA]-Means to An End
#15. V/A-Incestival-Orlando's Worst 4-Way Split (NMDS, Gatorface, Virgins, Polluted Youth)

Honorable Mentions
Billy Bragg-I Keep Faith
The Measure [SA]-Songs About People...and Fruit N' Shit
O Pioneers!!!/Mike Park-Split 7"
O Pioneers!!!/Announcement-Split 7"
Killed By the Bull-Return of the Spell

Best Comps/Collections
#1. Hot Water Music-'Til the Wheels Fall Off
#2. The Measure [SA]-One Chapter in the Book: A Collection of Standard Waits and Measurements
#3. Statues-Terminal Bedroom
#4. Mischief Brew-Boiling Breakfast Early
#5. Frank Turner-The First Three Years

10 Best Shows of 2008 (Total shows this year=27)
#1. The Gaslight Anthem/The Riot Before/Scream Hello/Laserhead, Asbury Lanes, Asbury Park NJ, May 30th.
#2. Against Me!/Ted Leo + The Pharmacists/Future of the Left, Gothic Theater, Denver Oct 21st
#3. The Revival Tour w/ Chuck Ragan/Tim Barry/Ben Nichols/Jon Snodgrass/Austin Lucas, Marquis Theater, Denver Oct 23rd
#4. O Pioneers!!!/10-4 Eleanor/The Masters of Suspicion, my basment, Sept 4th
#5. Alkaline Trio/American Steel/Sleeperhorse, Cervantes Ballroom, Denver, Aug 2nd
#6. Planesmistakenforstars' Final Show w/ Mustangs and Madras/Kingdom of Magic, Marquis Feb 16th.
#7. Hot Water Music/Only Thunder/Mustangs and Madras, Gothic Sept 7th
#8. Ghost Mice/Heathers, my basement, July 20th
#9. Pinhead Circus (reunion show)/Sleeperhorse/Eyes and Ears, Marquis July 26th
#10. Streetlight Manifesto/Zox (ug)/Dan Potthast, Ogden Theater, Denver Apr 8th

Biggest Dissappointments of 2008 (no particular order)
-Against Me!'s short, lackluster show at the Aggie Theater in Fort Collins Feb 29th
-Having to leave Rise Against early when they started playing good songs.
-planesmistakenforstars breaking up (great last show though)
-The Bronx-The Bronx (III) (its ok, but I was hoping for somthing better)
-Alkaline Trio-Agony and Irony (at least it was better than Crimson)
-The Copyrights-Learn the Hard Way (still in my top 40, but its their weakest album)
-The Ergs! breaking up, and me not being in NJ for their last show
-Flogging Molly-Float (bummer)
-Me not being in NJ for the Bouncing Souls 3 night extravaganza again
-Kevin Seconds and His Ghetto Moments-Rise Up Insomniacs!
-Rise Against-Appeal to Reason (but honestly, what did I expect?)
-This Bike is a Pipebomb-Convertible
-Static Radio NJ-An Evening of Bad Decisions (They went from Kid Dynamite to Lifetime, lame.)
-Anti-Flag-Bright Lights of America
-New Mexican Disaster Squad breaking up
-Family moving from New Jersey to San Diego (epic lame)

Hyped Albums of 2008 That I Don't Get
-The Hold Steady-Stay Positive
-Lemuria-Get Better
-Banner Pilot-Resignation Day
-Bridge and Tunnel-East/West
-Dead to Me-Little Brother
-Polar Bear Club-Sometimes Things Just Dissappear
-Star Fucking Hipsters-Until We're Dead
-The Steinways-Gorilla Marketing

Other Notables of 2008
-reissues of The Replacements' Tim and Pleased to Meet Me
-reissues of Alkaline Trio's Goddamnit (w/ awesome DVD and demos) and Maybe I'll Catch Fire (vinyl again woo!)
-The Falcon's first EP being issued on vinyl (Congrats Vinyl Collective Cooperative on that success!)
-Me snagging a white copy of The '59 Sound
-Ghost Mice, Heathers, O Pioneers!!! and Jon Crocker are some the nicest people I've ever met
-Being one of 3 people singing along to Gaslight Anthem at the Rise Against show in November
-Gatorface and Virgins (the two bands that formed from NMDS wake) are totally awesome
-listening to way too much 60's garage rock than I should have
-discovering the awesomeness of Neutral Milk Hotel's "Holland, 1945"

Looking Foward to in 2009?
-Playing a show with Off With Their Heads in a bike shop in Feb!
-new Propagandhi album?!
-new Bomb the Music Industry!, Bouncing Souls (sort of), Austin Lucas
-hopefully new albums from Andrew Jackson Jihad, A Wilhelm Scream, The Lawrence Arms
-Ska is Dead 4!
-Reel Big Fish w/ Streetlight Manifesto (I've seen this show like 12 times, but its always fun)
-The Gaslight Anthem at the Gothic
-Maybe I can finally stop being so goddamn single

and last but not least here is my 2008 Super Awesome Mixtape/Playlist!

Download link

1. The Gaslight Anthem-The Patient Ferris Wheel
2. Off With Their Heads-Self Checkout
3. O Pioneers!!!-Stressing the Fuck Out
4. The Riot Before-I Have My Books
5. Paint It Black-Shell Game Redux
6. Dillinger Four-Ode to the Great American Snake Oil Distibutor
7. Two Cow Garage-Folksinger's Heart
8. Eli "Paperboy" Reed & The True Loves-The Satisfier
9. Frank Turner-Love Ire & Song
10. Verse-Old Guards, New Methods
11. Chuck Ragan & Austin Lucas-Judgement Day
12. Jon Crocker-Six Day Sinner's Son
13. The Slackers-Every Day is Sunday
14. Street Dogs-The General's Boombox
15. LaGrecia-The Montage
16. The Cute Lepers-Terminal Boredom
17. Drag the River-BrOOtal
18. Tim Barry-Texas Cops
19. TV Smith-In The Arms of My Enemy
20. Heathers-Honey Please?!
21. Billy Bragg-O Freedom
22. Nick Cave and the Bad Seeds-Dig!!! Lazarus Dig!!!
23. The Tossers-Whiskey Makes Me Crazy
24. Monikers-80 Proof
25. Shorebirds-Nutter
26.-I Walk the Line-Black Wave
27. Henry Fiat's Open Sore-Faster Phil Spector, Kill Kill!
28. Teenage Bottlerocket-Nuthouse
29. Virgins-Another's Gun
30. Statues-Dead or Alive
31. Gatorface-Sick and Stupid
32. Cobra Skulls-Never Be A Machine
33. Andrew Jackson Jihad-Jesus Saves
34. Tom Gabel-Anna is a Stool Pigeon
35. Mustard Plug-Waiting Room (Fugazi cover)
36. Mischief Brew-Jobs in Steeltown
37. Static Radio NJ-Bothered
38. The Ergs!-blahblahblahfuckyoublahblahblah
39. Bouncing Souls-Man In Black

hope everyone has a wonderful new year's, and look forward to a revamped folking the system. more music reviews! more playlist downloads! more new bands to shove down your throats! more posts! gratuitous female nudity!

The Classical Arrangement

I've heard the things you've spoken
The conviction in your eyes
I believe that you believe them
But I can't empathize
You wanna live life your way
And not let others do the same
The world turns to a desert while you pray for rain

I'm glad you found your answers
In your parents' fairy tales
Spin around in circles with no wind to push the sails
Mythology and magic, religion's all the same
The world turns to a desert while you pray for rain

And I have faith, I have faith in me
Faith in things that I can see
And I have learned some things about devotion
Stop judging me and I won't judge you
We're all looking for our own truth
And we are only tiny droplets in the ocean
Drops in the ocean

So I got Dillinger Four's new LP in the mail the other day. I actually got about 8 LPs in a 2 day span from friday-saturday, which is always fun. I haven't even had the time to listen to all the awesome new music I got, (Fucked Up, Two Cow Garage, Weakerthans, Lagrecia, Chuck Ragan/Austin Lucus (more on those two later!), Ghost Mice/Andrew Jackson Jihad, Mischief Brew!!!) but back to D4. Honestly, this album is stronger lyrically than it is musically. Musically its a pretty standard D4 album, lots of gruff midwestern pop-punk, but less hardcore sprinklings than their first two full lengths. So its a pretty solid "progression" from Situationist Comedy. But this album boasts some pretty strong lyrics which is what puts it in the top 10 albums of the year for me (right now its #6 on my preliminary list). The above example is one of my favorite songs on the album. Its incredibly minimalist instrument for the majority of the song puts the emphasic on the lyrics, a scathing attack on religion, a theme that pops up previously on (what I consider) the album's best song ("Ode to the Great American Snake Oil Distributor"). Further standouts are "Fruity Pebbles," a Paddy sung ode to a fallen friend, the opening track "Jingle for the Product" (I'm a sucker for whoa-ohs), and the closing track, "clown cars on cinderblocks" whose lyrics I feel such an emotional connection to, I'm gonna post them, and you can't do anything about it!

December drags on
It's thirty-one days too long
This silence is killing me
I fear it when I'm tryin' to sleep

It's been one thing then another
Taking all the strength that I can muster
Not to pull the plug
When did I run out of luck?

Watching for the double-cross
I always knew I wouldn't escape without a scratch
Felt my feet on solid ground
Until I saw those fingers
Your fingers
Were crossed behind your back

Drown the pain with cheap champagne
And wake me when it's time to go
I'm far to faded to celebrate it
This clock is moving way too slow
One more year like this one
I could never make it on my own

I smoked my last cigarette
I emptied any bottle that dared cross my path
Lying in this spinning room
I contemplate the remnants of my life
And curse away the past

Drown the pain with cheap champagne
And wake me when it's time to go
I'm far to faded to celebrate it
This clock is moving way too slow
One more year like this one
I could never make it on my own

I'd offer up a sacrifice
If I thought it would do any good this time
I recognize the pain I've caused
But I can not pay these crimes
I'm not sure I expect to be here New Year's Day

word.

In other news I totally didn't have the time over the weekend to make a post regarding the complete and utter awesomeness that was The Revival Tour. I went down to the good ol' Marquis Theater on Thursday by myself (as usual) and it was on the most fun shows I've been in a while. It was also nice to be up front and watch the music without fear of being crushed. Its been a while since i've been to a non-punk show. The show started at around 8 with all of the members currently on the tour (Chuck Ragan, Ben Nichols, Tim Barry, Austin Lucas, and Jon Snodgrass) playing a few songs together before splitting off an allowing each member to play individually before everyone coming back together at the end. Of course there was contributions between a few of the members at times (especially Chuck and Austin) and that added to the overall brotherly comraderie feel to the tour. Austin Lucas looks like like the last person you'd expect to be playing traditional folk/country, but the former crustie played some amazing tunes from his forthcoming album on Suburban Home (and at times yelling at Virgil, who runs the label and its sister Vinyl Collective, to clap along) as well as his split with Chuck.

Jon Snodgrass played next, and also played considerably well, and had a sizeable amount of fans in the audience, due to Drag the River being from Colorado and all. I really need to check out more of their music...Tim Barry, who was is always a treat came up next with his simple songs (with simple boring chords to quote him) infected with Richmond, beer, and traveling. He has a penchant for talking alot though, which is perfectly fine, it adds more personality to the performance. And Tim is certainly a man with a lot of personality. He briefly mentioned the Iraq Veterans Against the War, who had a table in the back, and how amazing and important they are in general. The veterans there even joined him on stage for "South Hill", and that was pretty cool. Ben Nichols of Lucero (whose album Nobody's Darlings is goddamn amazing), who looks pretty damn funny with a full beard, did his best to get through his set, despite how visibly drunk he was (and that only intensified over the night, haha).

Chuck Ragan came out (by came out I mean got up off of the box he was sitting on on the side of the stage most of the night) and went straight into his passionate folk songs from his debut full length, some from his Austin Lucas split, and even a Hot Water Music song (God Deciding!) and some folk standards. He played the longest of the night, since he was technically the "headliner" and ring leader of the whole tour. After he finished his "solo" set, he was joined by the rest of the tour members for a few more group songs. I began to get antsy, as I had to catch the 12:06am bus back to Boulder, and time was getting short. However as that time approached, they still weren't finished, and it was too much fun to leave. I made a good decision, and it was totally worth watching that extra 15 minutes of show in exchange for 45 minutes in the bus station.

Finally, the Masters of Suspicion super awesome Misfits cover show is shaping up pretty good. We have about 17-18 songs down, and a couple more that are rougher than the rest that we probably won't play. In addition to the Soulquarium basement party show, we will also be playing at the Bulldog Bar in Denver right before. So that will be interesting to say the least. Hopefully we can get a good turnout. Cause honestly, who doesn't love getting drunk and playing/listening to the Misfits? I sure do!

Word.

Praise Al Gore, the Wait is Over

God bless Al Gore indeed.

C I V I L W A R is fantastic.

and NN2S is back!

I Have My Books

Well I'm not gonna call you right
cuz that'd feel too much like failure
oh and i'm not one for begging
naw naw naw naw
I am an island
I won't admit that I actually need
naw I'm fine with just me
insist constantly
and I always repeat
I always repeat
and the other night
when I was trying to get
underneath her clothes
she said, Brett, don't we already know
where all this will go
yeah tomorrow
oh you'll just try to get rid of me
and i had to agree
yeah see there's something in that morning sun
oh it just floods through the windows
and fills
would a night
would a night
would a night
would a night
would a night seem so empty
so i'm just gonna
leave that phone be
I'll stay all alone
I'll stray replete
and I'll always
I'll always
I'll always
I'll always
I'll always
I'll always
I'll always



I got The Riot Before's new cd today. Damn its good. I remember them playing this song live at Asbury Lanes, and I got chills. This album is really, really, really good. I'll elaborate later on, after I give it proper listening treatment.

Suspicioncore!

I know I said I would upload the other two discs of Phil Ochs, but those will have to wait.

Instead, two things.

First: The demo for Jack's Smirking Revenge, entitled "Bitter Songs For Bitter People" is now up on my last.fm page for both streaming and download. So go check it out! Mind you, the songs were recorded on my computer with a crappy microphone, so they are a bit subpar sound quality. Oh well, I'm still proud I managed to record em all.

Second: My friends' band The Masters of Suspicion, who played our house again last night, were kind enough to give me a demo/live bootleg of their own. It is their only recorded output that I know so far. So that is up for download right here:

The Masters of Suspicion
Live 7/17/08 at Buffalo Rose, Golden CO
1. Fistfuck
2. Heaven Is A Place On Earth (Belinda Carlisle)
3. Intervention
4. Stool Pigeon
5. Lager Lullaby
6. 1000 More Fools (Bad Religion)
7. Kenny G Experience
8. Uncle Benny
9. Larry Walker
10. Alcoholocaust
11. No Scrubs (TLC)
12. Fools and Kings
13. (Unknown)
14. Gunslinger

At Least We're Still Friends

I finally saw Alkaline Trio live last night. For the past 5-6 years I have been constantly missing them every time they come to town, usually being in Colorado when they are in New Jersey, or vice versa. I couldn't be happier that they played at Cervantes rather than the Fillmore or the Ogden (or similar venues). I also couldn't be happier that American Steel opened for them (disregarding Sleeperhorse, who were boring as always), as they have become one of my favorite bands over the past year or so. They number of American Steel fans in the audience was really low, which I didn't really expect. There were only about 10 or less of us rocking out in the front, which annoyed the teenage girl fans of Trio, but I couldn't care less. American Steel played a Destroy Their Future-heavy set, which I expected and enjoyed, as that album destroys (pun intended). Rogue's March and Jagged Thoughts got two songs each, but I was just happy to hear "Loaded Gun." Despite their limited time, they played a solid set for their limited fans, warming everyone up for the Trio.

Sons of Avarice
Or, Don't You Remember?
Shrapnel
Razor Blades
Rainy Day
To The Sea
Smile On Me
Loaded Gun
Every New Morning
Love and Logic
Mean Streak

With the lights dimmed and the candles place atop the amps lit, Alkaline Trio took the stage to the usual screams, clapping, and shouting. Matt then wasted no time and went into the first song from Agony and Irony, "Calling All Skeletons." The final chords from the song had barely finished ringing when they began playing the opening riff to "Clavicle." From that moment, I knew it was going to be a great fucking show. That feeling was further cemented when they busted out "I Lied My Face Off" The Trio soldiered through their set, taking songs from all their albums, thankfully only taking 5 from Agony and Irony and 2 from Crimson. Thankfully of those 7 songs, only one of them sucked ass ("Love Love, Kiss Kiss"). Sadly, Goddamnit's only representation was "Clavicle." I honestly expected at least one or two more from the album, considering it was just reissued. The band pulled a few cheesy "band" moves, that is to say, replacing words in certain songs with "Colorado" or "Denver" ("Mercy Me" and "This Could Be Love"). I was kinda let down when Matt replaced "Night On Earth" with "Totalimmortal" in "Warbrain," but was still ecstatic they played it. After leaving the stage following "This Could Be Love," the chants for "Radio" began. After opening their encore with "For Your Lungs Only," the band gave the people what they wanted. Singing along in unison to the chorus with everyone in the room was one of the best feelings I've ever gotten at a concert. So Alkaline Trio, I forgive you for your lackluster past two albums, as long as you keep pumping out sets like this. The only way it could have been better was if I went to the Occult Roots tour in '06 (with Against Me!), or saw them in '98-'99

Calling All Skeletons
Clavicle (!!!)
I Lied My Face Off (!!!)
I Found Away
In Vein
Private Eye
Time to Waste
Blue Carolina
Warbrain (!!!!)
Goodbye Forever (!!!)
Emma
Armageddon
Mercy Me
Love Love Kiss Kiss
Crawl
Help Me
Bleeder (!!!)
This Could Be Love
------------------
For Your Lungs Only
Radio

punkrockneverstop

I love The Measure [SA] for several reasons

1)They make awesome music (upbeat, folk-influenced punk)
2)They are from New Jersey (New Brunswick, Hub City Hardcore!)
3) They only release on vinyl, hence the [SA] which stands for strictly analog. (ok the released their first LP on CD eventually, but whatever)
4)Their singer Lauren has a great voice and sure is a cute one.
5) In continuation of point #3, their strictly analog-ness got me into actual record "collecting" Since they are still fairly unknown in wider punk circles, collecting all of the colors and variants of their records is pretty cheap and easy to do. I am only missing 3 colors of the Historical Fiction 7" (the one with Rosa Parks on the cover, and 1 color of the O Pioneers!!! split (the one with Vonnegut). They are still the only band I truly have a "collection" for
6) The fact that the theme for their records is putting people like Rosa Parks, Kurt Vonnegut, and Audry Hepburn on the cover. (Lauren does all the artwork)

Their debut album Historical Fiction (top left corner) is wonderful, lyrically and musically. The only drawback is their other guitarist/singer Mike, who is sloppy with vocal delivery, which kinda drags down otherwise good songs. But he has since left the band after the Means to An End 7" (red one in the bottom left corner with Humphrey Bogart on the cover). Other than his singing, I really like his songs lyrically, so its a shame he's leaving. But most likely, their next album will be a lot stronger. They have a collections LP, another split, and a new EP coming out, so I'm pretty excited for those.

So here is the Historical Fiction LP. If you like it, I highly recommend you buy it!

The Measure [SA]
Historical Fiction

1. Just Go
2. Key Ring
3. Little Things
4. Letters From the Earth
5. Ballad
6. Autonomously
7. We'll Always Have Asbury Park
8. Angell Street
9. So Much For That Vow
10. Media Free
11. Sleep
12. It's Me or the Marlboro Man
13. Desperation Song
14. Trainage

"Time's a locomotive that'll run you over anyway!"

Post to Fan the Flames of Discontent

"I will hold your burning flag in my hand as I watch your empire fall."
-Coup D'Etat

So I'm currently listening to Refused's furious 1996 album, Songs to Fan the Flames of Discontent. Although it is no Shape of Punk to Come, its still awesome in its own right. Its a pure unadulterated radical Swedish hardcore blast that I picked up at a Borders of all places a couple years ago. I've been neglecting hardcore recently in favor of more mellow music, or at least poppier. What was I thinking? I fucking love this shit! This is modern hardcore the way it was meant to be played (see also Modern Life Is War and New Mexican Disaster Squad). In honor of crazy anarchist hardcore bands, here's a

Playlist to Tear It All Down To:
1. Refused-Coup D'Etat
2. Strike Anywhere-Amplify/Blaze
3. Paint It Black-The New Brutality
4. Western Addiction-Matrons of the Canals
5. The Suicide Machines-Your Silence
6. New Mexican Disaster Squad-Get the Bullet Out
7. Rise Against-Blood Red, White, and Blue
8. Please Inform the Captain This Is A Hijack-Defeat or Humiliate the United States of America
9. Crass-You're Already Dead
10. Anti-Pasti-No Government
11. Conflict-One Nation Under The Bomb/Blind Attack
12. Flux of Pink Indians-Some of Us Scream, Some of Us Shout
13. Oi Polloi-Resist the Atomic Menace
14. Aus Rotten- The System Works for Them
15. Discharge-Protest and Survive
16. Articles of Faith-What We Want Is Free
17. MDC-Corporate Deathburger
18. Born Against-Shroud
19. Bad Religion-Damned to Be Free
20. TSOL-Abolish Government/Silent Majority
21. Choking Victim-Fuck America
22. Morning Glory-The Whole World Is Watching
23. Dead Kennedys-Stars and Stripes of Corruption
24. Subhumans-Black and White (Live)

Download Link

"Remember the Day the Country Died"
-Subhumans

I Don't Wanna Be A Pinhead No More

I experienced my first (and most likely last) Pinhead Circus show last night. The late, great band decided to play a one-off reunion show at the Marquis Theater, and I thankfully, was already in Denver. I had only heard a few songs by them prior, but according to my friends, they were the greatest band to come from Colorado. Thankfully Rancid was playing in Denver as well that night, so it was mostly an older crowd, which worked out great for me. Seeing as the rest of my friends in attendance were over 21, I managed to score a bunch of free drinks, and so by the time Pinhead took the stage, I was in a good place. What I experienced was one of the funnest shows I've ever been to. The crowd wasn't full of douchebags, and thus, said douchebags didn't crowd the pit. It just really sucked that I had never gotten into the band before the show, which would have made the experience that much better. From what I heard, the set was great, full of raw and honest melodic punk rock, and according to my friends, it was probably one of the best sets they've heard them play. Every so often, the band would take a jab at Rancid and The Offspring (who were also playing a different show that night), and telling the crowd they were awesome for supporting their local assholes rather than millionaire gutter punks. So that was pretty funny.
After the show, we bummed around LoDo for a bit before heading home, and were nearly killed by a drunk driver on the highway. Thankfully we were unscathed except for a shattered headlight and increased adrenaline. I finally ended my night arriving home at 5am with the sun slowly creeping over the plains.

In other news, I finally saw The Dark Night today, and it totally fucking kicked ass.

God Isn't Dead, But I'll Get That Bastard Someday

Time: 2:14am
State: Drunk (though slowly but surely sobering)

Its always interesting when you're told that your ex-girlfriend was a bitch to you and you deserve better and that you should open your heart and love God by two different people on the same day. The former was told to me about 4-5 hours ago by my roommate over a few beers with some friends and the latter was told to me by a complete stranger while I was attempting to exit the post office.
Since the latter is a slightly more interesting story, I'll refrain from going into details of the former. I had just finished mailing a package to the primary subject of the former, when the antagonist (?) of this story approached me while I was nonchalantly read the fliers on the wall near the exit door. He mentioned how fucked up it was that red bull was attempting to advertise that drinking it would improve studying ability. I agreed with him, hoping that the forecoming conversation wouldn't last longer than a minute or two, and I could continue my plans to ride to the library. The conversation instead lasted several minutes longer, and morphed into something I didn't expect. A discussion of my belief in an ultimate creator. The man asked me if I believed in God, and I told him what I told everyone who asks me the same question. I don't necessarily deny the existence of higher power/creator, but I certainly don't concretely believe in the existence of one. If God exists, awesome, but If he/she/it doesn't, well hopefully I live a fulfilling life. And I certainly don't subscribe to any religion.
He then began to tell a parallel story of how I should embrace God the same way an infant embraces its mother, despite not really knowing why it does. He went on for a few minutes, saying that even though I reject religion, I should wake up each morning and tell how God how much I love him/her/it despite not understanding him/her/it. Needless to say it was an interesting encounter, and all though I'm not going to do what he suggested, It certainly made me think. I've been approached by religious people before, and usually they try to convert me to their religion. Usually it's Mormonism. But this random guy managed to put resisting consumerism and embracing my supposed creator in the same conversation. It definitely kept me on my toes, even if I still think he's wrong.

In light of the conversations of failed love and faith in God, I'm listening to the awesome and under-appreciated Johnny Hobo and the Freight Trains. Songs of drugs, drunkenness, depression, loneliness, anarchy, and being a bum all in one awesome 1-2 man package, depending. I wish I could write simple, honest, yet amazing songs as good as this. Here is everything that they/he have/has released that I "own."

The Anarchy Means I Hate You Demo
1. Only Two Of My Friends Are Actual People
2. Church Hymn for the Condemned
3. Fuck the Dictionary
4. DIY Orgasms
5. Below Good and Evil
6. I'm So Punk I Hate Punk
7. Put Arsenic In The Frosting Next Time
8. Untitled
9. PUNKROCKANARCHY

All Power to the Wingnuts!
1. "No Trespassing" Waltz
2. Spraypaint and Alleyways (Crackhouse Song)
3. Homebum Song

Love Songs for the Apocalypse
1. New Mexico Song
2. Church Hymn for the Condemned
3. Whiskey Is My Kind of Lullaby
4. Acid Song
5. Election Song
6. I Want Cancer for Christmas
7. Harmony Parking Lot Song
8. Untitled
9. DIY Orgasm

Caught In the Act of Not Being Awesome (live) (combined with Is Dead)
1. New Mexico Song
2. Put Arsenic In the Frosting Next Time
3. Harmony Parking Lot Song
4. Election Song
5. Acid Song
6. Church Hymn for the Condemned
7. Whiskey Is My Kind of Lullaby
8. DIY Orgasms

Is Dead!
1. Free As the Rent We Don't Pay
2. Sellout Song
3. Skaggy
4. Crackhouse Song
5. Tampa Bay Song
6. "No Trespassing" Waltz
7. Where is My Coffee (Where Is It?)

No Album
Fuck Cops
It's Not My Revolution Oi
Life Starts Now, Wait Give Me A Second
The Politics of Holy Shit I Just Cut Open My Hand On A Broken Bottle

Up the Punks Up The Punks Up The Punx

So the Ghost Mice show in my basement last night went great. About 25-30 people tops, half of which I didn't meet until that night. I nervously debuted Jack's Smirking Revenge, and thankfully my friends and everyone else there, including the bands, were all really nice and supportive. The fact that Heather from Ghost Mice was sitting in front of me bobbing around brought a smile to face, not to mention the applause and cheers (jeers?) from everyone. I don't think I thanked anyone for that, and I left out some songs that I meant to play, I was so hot, sweaty and nervous that I completely forgot I had other songs to play. My favorite moment was when I got everyone to clap along to Nausea. I wish I at least recorded that song, I know someone who would have appreciated hearing it. Oh well here was my setlist at least:

Sounds Like A Good Album Title
After All, Who Needs Courage When You Have...A Gun?
I Never Once Saw God Playing Skeeball
Alright Alright, If It'll Make You Happy, I'll Overthrow Society
Nausea (Not the Band)
Boxcar (Jawbreaker)


Heathers started almost immediately and without warning, and everyone who hadn't heard them before (I only had heard their songs on myspace) were blown away by how fucking good they were. Great at harmonizing, write a good pop hook, and, to quote half of my friends, irresistibly cute. If I had they $5 , I would have gotten their cd, but I can always order it from Plan-It-X later on.


Ghost Mice started playing, after a short break so everyone could escape the hot basement for a bit. Since there were some people there who went to the Denver show the previous night, Chris promised that they would try not to play songs they already played. So we got treated to some songs they apparently don't typically play, plus two new songs (!). Despite having to constantly yell at two of my roommate's friends to shut up and not be assholes while the band was playing or trying to talk to the audience, everything went great, and everyone had a lot of fun.

Setlist: (out of order, and from what I can remember)

The Moon Will Rise
Monsters Get Slain
Sing Out
Lightning Bolt
Song For Tomorrow
Spain (?)
Boy Meets Girl
New Song 1
Gone Gone Gone
The Devil and My Family
Free Pizza For Life
Up The Punks
The Good Life



After packing up, and talking with anyone who wanted to talk, the bands, another dude whose name escapes me, and I went to Cosmo's to get pizza, and that was fun time, listening to Ellie and Louise's stories from Ireland, Chris and Hannah's stories from Gainesville and Bloomington, and trying to say Tomato in a myriad of different silly ways. I bid goodbye to everyone when were all going to bed, as they were leaving early in the morning for Kansas. Hannah said not to be a stranger anytime I was in Bloomington, and the girls said the same if I was ever in Dublin. Hopefully it won't be long till I see those wonderful people again. Also thanks to Hannah for leaving her breadsticks for me to eat for breakfast this morning

Self Checkout

Sick of going out of my mind everytime I see
Somebody that looks like you, it's killing me
Because I think you're there for me
And when I realize your not, it's back to this mess
So please, take note, I'm going crazy
Did you get a chance to read the letter I sent to you?
Or did you throw it away cuz of everything I put you through?
I guess I understand
Just realized I'm looking for help from a friend
And you, you're the only one I can trust
I wanna tell you all about how I try so hard to keep it under track
I wanna tell you about the times I fuck up and wake up flat on my back
I wish I could call you to pick me up
I know its too much to ask
So I sit up and light a cigarette
And tell my self over and over again
It was all just a dream
And it's time to come clean
And it's time to move on
No matter how hard it seems
It was all just a dream

Off With Their Heads' new album went on sale today, and I managed to grab a secret tour edition (/200) from the No Idea distro page. I also was able to listen to it (like I am now) on punknews' stream. In addition to The '59 Sound, its a top contender for album of the year. Seriously, it fucking destroys. Its one of the albums that come into your life at the right time, and it never leaves, much like Hospitals did. Speaking of The Gaslight Anthem and vinyl, their new album also went on sale today, resulting in major shenanigans at both Vinyl Collective and Side One Dummy webstores, resulting in the latter being completely crippled. VC almost suffered the same fate, but thankfully only had a major slowdown. Despite the problems, I was able to get a hold of a White /500, after 30min of frustration. Huzzahs are in order!

Huzzah!

Other than that, I didn't really do much today other than play an unhealthy amount of GTA San Andreas. Since I can't take my anger out with a gun in real life for a myriad of obvious reasons, nor can I punch a cop off his motorcycle, I have to do it while playing a black dude in pseudo-los angeles. Which is fine with me. Also, I finally finished Johnny Cash's fantastic autobiography Cash.

Huzzah!

I think I'm gonna read me some On The Road next.

Out On An Island

I feel like making a post, but have nothing really on my mind to write about, other than the fact that Cobra Skulls' Sitting Army totally fucking rules. So in lieu of posting anything witty, insightful, or even remotely interesting, here's assorted lists of things to have with me on a desert island. making these lists is kinda challenging, cuz picks your favorites is easy, but if your theoretically stuck on desert island, you want to get a good mix of differentmusic/books/movies what have you, as well as ones that you can analyze for extended periods of time (see Crass and Lord of the Rings). Oh well, here goes something

7 Albums
1. Against Me!-Crime As Forgiven By... (quality not quantity)
2. The Clash-London Calling
3. Dead Kennedys-Plastic Surgery Disasters
4. Jawbreaker-24 Hour Revenge Therapy
5. Crass-Yes Sir, I Will (learn to love each and every of the 43 minutes)
6. Billy Bragg-Back to Basics
7. Streetlight Manifesto-Everything Goes Numb

7 Books
1. Homage to Catalonia-George Orwell
2. Lord of the Rings (all 3 books in 1)
3. 1984-George Orwell
4. God Bless You, Mr. Rosewater-Kurt Vonnegut
5. Frankenstein-Mary Shelley
6. A People's History of the United States-Howard Zinn
7. How To Survive On A Desert Island (with only 7 albums, 7 books, 7 movies, a record player, a dvd player, a tv, minimal food and water, a marijuana plant, 1 other person, and all the skills you learned in boy scouts)-must be written by someone, somewhere...

7 Movies
1. Pulp Fiction
2. Fight Club
3. South Park: Bigger, Longer, and Uncut
4. Monty Python and the Holy Grail
5. Night of the Living Dead or Dawn of the Dead
6. Grandma's Boy
7. Star Wars (Original 3 pieced together into one disc of awesomeness)

1 Person
1. Julie Rutan

A Brief Yet Triumphant Post

So Tom Gabel released a new Against Me! demo song called "Graceful Confession." And as I have come to expect from him, its beautiful and honest. Leave it to him to write another song I can instantly relate to, and wish was my own. here is the song and the lyrics:

Graceful Confession

Your talent outshines all that I could ever do or say
and me and my jealousy, I stole your songs and passed them off as my own
As much as I would like for it not to show
you can smell the stink on my breath and in my clothes, it's so obvious
oh if I could only be half the things you write about in your songs
if I could only mean half as much to anyone

and in my arrogance I write pages of anger hate and spite
all of the reasons I have to trust... absolutely no one
today I heard you on my stereo and it shamed me,
yes it shamed me to think that I could be so unoriginal
oh if I could only be half the genius that you are
to feel such honest want, to show love
I would show you love
I would show you love
I would show you love
oh if I could only feel half as resolute in my beliefs,
if I could only sing with such bravery
I can not explain how much you mean to me
without your words, I would be lost.


fuck, that pretty much sums up how I feel about Against Me! I mean, they were the reason I decided to learn how to play guitar and write my own songs, even if I only ever played their songs to my friends. The countless times we have sung along to "Baby, I'm An Anarchist" or "Pints of Guinness Make You Strong," and me wishing I could write a song that would burst the whole room into chorus. No matter how often I learn to play other songs or write my own, I always go back to playing Against Me!'s songs or attempting to learn each new song that comes out.

So thank you, Tom Gabel and the rest of Against Me! for creating such awesome fucking music and being a constant source of inspiration to me, from the first time I heard the Crime EP out of my shitty stereo with one working speaker, to this second right now.